Last time I updated you on progress writing my first book, I’d recently broken up with my writing coach. The upside of the experience – I emerged with a first draft of my book. The downside – it wasn’t good.
How did I know it wasn’t good? Well, I’d set out to write a memoir – a story of personal transformation – that spanned the years I’d worked as a tour guide in the Polar regions. While my first draft was packed with penguins and polar bears, there wasn’t a hint of personal transformation to be found.
I knew that at the heart of my unique journey was a universal story that others would relate to. I just didn’t know what it was. When I went searching for tools to help me find it, I discovered the hero’s journey.
The hero’s journey is a classic storytelling template first characterised by literature professor Joseph Campbell. It involves a hero who goes on an adventure, faces challenges, learns lessons, fulfills a quest and returns home transformed. Its basic structure looks like this:
Act 1: The hero’s ordinary life is disrupted by a call for adventure.
Act 2: The hero enters an extraordinary world where they must overcome challenges during an epic journey.
Act 3: The hero returns home triumphant.
If you look closely, you’ll find the hero’s journey everywhere – in ancient myths, films, TV series and novels. You’ll find it in memoir too. Because memoir is all about transformation. Whether it’s about healing from trauma, getting sober or winning Olympic gold, the protagonist of a good memoir must grow and transcend before they can triumph.
I was immediately hooked. I wanted my story to follow the same narrative arc. I mean, it already did. I literally left home on an adventure. I physically went on an epic journey for 12 years to some extraordinary places. And I returned home feeling quietly triumphant – like I’d figured out some pretty important things.
Curious to find out more, I took some writing classes that delved deeper into the hero’s journey. Then I began matching my story up with its many stages.
At the beginning, the hero is living in the ‘ordinary world’. Picture me at 24 – an enthusiastic and ambitious recent university graduate working in my first professional job.
Next, the hero receives a call to adventure. Picture me again, this time realising I don’t like my job and secretly wishing I could quit and go travel.
I didn’t though. I stayed in Australia and tried to fix things. I changed roles, moved apartments and started new hobbies. According to the hero’s journey, this is called the ‘refusal of the call’. The hero isn’t sure they should answer the call, so they sit tight.
Then a mentor figure comes along, gives the hero some counsel and convinces them to follow the call. In my case, there was no mentor. I just really didn’t like my job and I really wanted to travel. So I quit and left the country. End of Act 1.
So far so good.
In Act 2, the hero enters the ‘extraordinary world’ where they face a series of tasks and challenges that initiate their transformation. Naturally, they fail one or more of these tasks and it looks like they’ll never succeed. But then they meet allies, score some wins and things start looking up. Then there’s a big moment in the middle – the mid-point crisis – when the hero confronts the reason for their journey. This is a major turning point: every prior step has brought the hero here, and every step forward stems from this moment.
Act 2 is where I run into trouble with the hero’s journey. Because in some ways my story follows the template and in other ways it doesn’t.
I was certainty on a quest to find a new career. But I didn’t launch a single-minded mission – hero’s journey style – to find it. Not at the beginning, anyway. I remember thinking: “I have time to live a little”. So I sought out experiences that sounded fun and interesting, like working as a tour guide in Antarctica.
Becoming an Antarctic tour guide did feel like a hero’s journey though. Because when I started, I couldn’t tell the difference between an Adelie penguin and a Gentoo penguin. I’d never led a hike or driven a boat. I had to learn all of this on the job, in front of my teammates and 100 paying guests. For someone like me – who holds themselves to an impossibly high standard and doesn’t like screwing up or not having the right answer – this was a daunting task. I did it anyway and the results were embarrassing, amusing, fun, amazing and, well, transformative.
I had a mid-point crisis too. It came about three years into my journey. I remember thinking: “Time’s up!” I’d had my fun and now it was time to decide where to live and what career to pursue. I made a list of options and put an immense amount of pressure on myself to choose one even though I knew in my heart of hearts I wanted to keep travelling and guiding. It was then – three years shy of 30 and looking anxiously at the clock – that I became aware of my inner conflict. It was then that I realised I had a choice: I could live according to someone else’s definition of success or I could go find my own. This was huge – the major turning point in my story. And it’s definitely a hero’s journey kind of moment.
I tried, repeatedly, to write this story.
I plotted it all onto one narrative arc using the hero’s journey as my guide. But I kept running into trouble. My plot points didn’t seem to match up. I’d write a new outline and start a new draft only to get stuck again. The biggest problem – my becoming-an-Antarctic-tour-guide story didn’t line up with my big turning point. It was like they belonged to different stories. Something just didn’t add up.
I began to wonder if the problem was the hero’s journey template. Maybe it was too restrictive. Maybe I was trying too hard to make my life fit into the hero’s neat, linear path. Real life is messy and complicated. Maybe I needed to let my book be messy and complicated too.
So, I made the call. I finally decided to part ways with the hero’s journey – to thank it for all it had done for me and let it go. I sat down at my laptop and wrote this blog post. After declaring my decision, I wrote a conclusion and put the blog post aside. I’d come back to it after the weekend and edit it with fresh eyes.
But then something happened on the weekend.
I was at the gym, running on the treadmill and trying to empty my mind. Instead I began pondering my next move now that I’d ditched the hero’s journey.
It’s funny how aha moments work. You can study a problem a million times in a million different ways and not find the answer. And then it seems to come out of nowhere, the same way mine popped up while I was running on that treadmill.
My story isn’t a hero’s journey.
It’s two hero’s journeys.
One is a young woman’s journey to find a meaningful and fulfilling career. The other is the journey of a rookie Polar guide who’s determined to be a pro.
One is about redefining success. The other is about redefining failure.
They run in parallel, inform each other and sometimes intersect. But they each have their own challenges, turning points and triumphs. Because they’re two separate stories.
So it looks like I’m not parting ways with the hero’s journey just yet. It seems it wasn’t the tool that was the problem but the apprentice who’s still figuring out how to use it.
And now that apprentice has to go figure out how to write two stories and then weave them into one.
It’s bound to be a transformative experience.